The Miami University Humanities Center brings together faculty, students, and the public for conversation and debate about human experience. The mission of the center is to recruit, retain, and energize outstanding faculty; foster flexible, collaborative inquiry in and beyond the humanities; cultivate a new generation of scholars and leaders; and demonstrate the value of the humanities to liberal arts education and society more generally.
The center offers over a dozen distinct programs for research, cross-disciplinary inquiry, creative teaching, and public engagement; it organizes, funds, and advertises scores of annual lectures, readings, workshops, and symposia; it advocates for the value of the humanities and coordinates capacity-building initiatives; and it is a resource for diverse institutional groups, providing funding, oversight, logistical support, and means of dissemination.
Events sponsored by the Humanities Center are free and open to the public.
The steering committee advises the director on matters of funding, selection of the Altman program and its participants, annual financial planning, fundraising, and other aspects of governance. The Steering Committee consists of two Altman Faculty Fellows, who serve during the year of their fellowship; three at-large members, all from different departments or programs, who serve staggered, three-year terms; the director; the associate director; the past director for one year after his or her service; and an ex-officio representative from the Dean’s office.
Faculty associates are the faculty community that constitutes the Humanities Center. All Miami University faculty members (including temporary, visiting, and part-time faculty) with interests in humanities scholarship are members by default.
Center associates form the wider scholarly community of the Humanities Center. They may include students, other members of the university community, and local or regional scholars interested in an association with the Center.
Cynthia Klestinec studies the history of medicine and the scientific revolution, especially anatomy, dissection, and histories of the body. The author of numerous articles and Theaters of Anatomy: Students, Teachers, and Traditions of Dissection in Renaissance Venice (Johns Hopkins, 2011), she has held residential fellowships from the American Council of Learned Societies and the Harvard Center for Renaissance Studies.
Mack Hagood uses ethnographic and archival research on digital media, film, sound technologies, and the biomediation of disability. He is particularly interested in the use of audio media as a means of affective control. His publications on noise-canceling headphones, Foley and digital film soundtracks, crowd noise as "the 12th man" in NFL telecasts, and the representation and treatment of tinnitus have appeared in journals such as American Quarterly, Cinema Journal, and Popular Communication. He is currently writing a book on “orphic media”: apps and devices used to create a comfortable sense of space through sound.
P. Renée Baernstein is Professor of History and Associate Dean in the College of Arts and Science. She specializes in the history Renaissance Italy, particularly gender, religion, and family. She is the author of A Convent Tale: A Century of Sisterhood in Spanish Milan (Routledge 2002) as well as articles in many journals. She has been a Fulbright fellow, fellow of the American Academy in Rome, Visiting Professor at Harvard’s Villa I Tatti Center in Florence, and recipient of the Ohio Academy of History’s Distinguished Teaching Award. Her next book, “Strangers at Home,” is about noble women and family politics in sixteenth-century Italy.
Elena Albarrán is a cultural historian of modern Mexico with research emphasis on childhood and visual culture. She is the author of Seen and Heard in Mexico: Children and Revolutionary Cultural Nationalism (University of Nebraska Press, 2015) and co-editor of New Approaches to the History of Childhood in Latin America: Between Practice and Representations (Instituto de Investigaciones Históricas de la Universidad Nacional Autónoma de México, 2012).
Theresa Kulbaga studies autobiography and memoir, documentary film, and creative nonfiction writing. Her essays on contemporary women’s memoir and transnational feminism have appeared in Prose Studies, JAC, College English, and Western Subjects, among others. She is also the coauthor of recent articles about First Lady Michelle Obama, the neoliberal university, and queer feminist pedagogy.
Emily Zakin is Professor of Philosophy. Her areas of specialization include political philosophy, psychoanalysis, feminist theory, and 19th and 20th century continental philosophy. Her current research focuses on the limits and possibilities of political community. She is the co-editor of Derrida and Feminism: Recasting the Question of Woman (Routledge 1997), and Bound by the City: Greek Tragedy, Sexual Difference, and the Formation of the Polis(SUNY 2009). She was a founding co-editor of philoSOPHIA: A Journal of Continental Feminism, and has published numerous book chapters and articles in journals such as Journal of Speculative Philosophy, The Southern Journal of Philosophy, and Telos.
Timothy Melley is Professor of English, Affiliate of American Studies, and Director of the Miami University Humanities Center (on leave Fall 2018). He is the author of Empire of Conspiracy: The Culture of Paranoia in Postwar America (Cornell 2000), The Covert Sphere: Secrecy, Fiction, and the National Security State (Cornell 2012), as well as numerous essays His short stories have appeared in Story Quarterly, Threepenny Review, The Sun, Columbia, Mississippi Review, and Epoch. They have also aired on Public Radio International’s “This American Life” and received mention in The Best American Stories. He is the recipient of four teaching awards, including Miami's university-wide teaching prize, E. Philip Knox Award. He is currently writing about the cultural politics of security.
Elisabeth Hodges is Associate Professor of French and Acting Director of the Miami University. Humanities Center (Fall 2018). She is the author of Urban Poetics in the French Renaissance (Ashgate, 2008). Her essays have appeared in publications in France and in numerous journals. Her current scholarship focuses on French and contemporary art film with publications on Godard and the television series The Wire, and work in progress on sound in Isaac Julien’s 10,000 waves. She serves as a docent for the Contemporary Art Center and guest curates film presentations for the CAC and the Mini Microcinema. She held a residential fellowship at the Newberry Library and was as an Altman Faculty Fellow in 2015-16 for the program on "The Senses." She is currently writing a book on sensory aesthetics in contemporary art films.
Pepper Stetler is Associate Professor of Art and Architecture History and Associate Director of the Miami University Humanities Center. She is the author of Stop Reading! Look!: Modern Vision and the Weimar Photographic Book (University of Michigan, 2015). Her essays on early twentieth-century German art and photography have appeared in publications of the Museum of Modern Art and the Los Angeles County Museum of Art, as well as numerous journals. In 2016, she received the Crossan Hays Curry Distinguished Educator Award from the College of Creative Arts. Her current research explores the dynamic relationship between photography and architecture.
Polly L. Heinkel is the administrative assistant at the Miami University Humanities Center. She received her B.A. in English Literature from Miami in 2007 and her M.A. in Theatre Studies in 2012. In 2016, she received her M.F.A. in Theatre Directing from the University of Essex, UK. In addition to assiting with program coordination and communications, she manages the center's financial transactions, scheduling, logistics, and event planning.
Steve Dudas is the graduate student assitant at the Miami University Humanites Center a doctoral student in English literature with interests in modern Irish poetry and children's literature. He is a founding co-editor of Threadcount Magazine. He helps with communications and event planning.
Abigail Culpepper is the undergraduate student assistant at the Miami University Humanities Center. She is a student in the French department's B.A./M.A. program, and a linguistics major with a focus in German. She was a 2016 summer fellow at the Luxembourg Humanities Research Institute, an Undergraduate Summer Scholar, and a Dean's Scholar. She helps the center with office work and public events.
In 1990, John W. Altman (Miami, 1960) made a major gift to create a Visiting Distinguished Professorship in the Humanities at Miami University. In 2008, Miami University awarded a $250,000 Presidential Academic Enrichment Award for the creation of a humanities center. At that time, Mr. Altman worked with the university to transfer his gift to the new Humanities Center, which was inaugurated in 2009 by President David Hodge and Dean Karen Schilling. The Founding Director of the Center was Allan Winkler, Distinguished Professor of History, who served from 2009-2011. Timothy Melley, Professor of English and Affiliate of American Studies, served as Interim Director for a semester in 2010 and then took over as Director in the summer of 2011.
In 2015, the Humanities Center won a prestigious $500,000 NEH Challenge Grant. The award is the largest and most prestigious offered by the NEH, and Miami was the only existing humanities center to receive a 2015 award. The award will be the basis of a new $2 million endowment to support collaborative faculty and student inquiry. In his award letter to Miami University President David Hodge, NEH Chairman William Adams called the Miami University Humanities Center a “model for integrating undergraduate training into advanced multidisciplinary scholarly efforts in the humanities.”* This award challenges Miami University to raise $1.5 million, creating a $2 million endowment to underpin the center’s work and create three pioneering programs for faculty research, student apprenticeship, and transformational teaching.